Jean-Baptiste-Camille Corot

was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
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Jean-Baptiste-Camille Corot Erinnerung an Mortefontaine oil painting


Erinnerung an Mortefontaine
ID de tableau::  90008
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Erinnerung an Mortefontaine
1864(1864) Medium oil on canvas Dimensions 65 x 89 cm cyf
1864(1864) _ Medium_oil_on_canvas _ Dimensions_65_x_89_cm _ cyf
   
   
     

Jean-Baptiste-Camille Corot Erinnerung an Coubron oil painting


Erinnerung an Coubron
ID de tableau::  92162
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Erinnerung an Coubron
1872(1872) Medium oil on canvas Dimensions 46 X 55,3 cm cyf
1872(1872) _ Medium_oil_on_canvas _ Dimensions_46_X_55,3_cm _ cyf
   
   
     

Jean-Baptiste-Camille Corot Souvenir of Marly-le-Roi oil painting


Souvenir of Marly-le-Roi
ID de tableau::  93008
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Souvenir of Marly-le-Roi
1872. Oil on canvas. cjr
1872._Oil_on_canvas. cjr
   
   
     

Jean-Baptiste-Camille Corot The Bridge and Castel Sant'Angelo with the Cuploa of St. Peter's oil painting


The Bridge and Castel Sant'Angelo with the Cuploa of St. Peter's
ID de tableau::  93231
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The Bridge and Castel Sant'Angelo with the Cuploa of St. Peter's
1826-27 Medium oil on paper mounted on canvas Dimensions 26.7 x 43.2 cm (10.5 x 17 in) cjr
1826-27 _ Medium_oil_on_paper_mounted_on_canvas _ Dimensions_26.7_x_43.2_cm_(10.5_x_17_in) _ cjr
   
   
     

Jean-Baptiste-Camille Corot The Bridge at Mantes oil painting


The Bridge at Mantes
ID de tableau::  96400
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The Bridge at Mantes
Oil on canvas, ca. 1868-1870. cyf
Oil_on_canvas,_ca._1868-1870. cyf
   
   
     

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     Jean-Baptiste-Camille Corot
     was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

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